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     I've been a sculptor all my life. As a child I entertained myself all day by building things, painting and drawing. When I went to art school I realized that I was a sculptor and that sculpture was an extension of the way I played as a child. I live and work in a remote, small town in central Utah. The landscape is a combination of rugged red rock cliff formations and high mountain desert terrain. The beauty and texture of this landscape has inspired me for years and has had a powerful influence on my work.
     I've been working as a wood sculptor for 35 years and have developed my own way of working this beautiful material. My sculptures of animals involve a process of constant adding and subtracting blocks of wood until a complex, surprising surface is established. While building these blocks of color and pattern, I also work out the proportion and expression of the character. This process of building up and breaking down gives life to the character of the animals and creates an element of transformation.
     I also have a love of beautiful complex mechanical objects. I am able to look at an object that appears infinitely complex and reduce it to one simple move at a time. Wood is the material that reveals the inherent beauty previously invisible in the subject.
     It took me years to learn how to handle the freedom of water base clay but now I work with it very well and many of my bronzes are cast from it.  Some of my bronzes have been cast directly from my wood sculptures.  Some pieces are cast from a combination of both. For example, the legs of the dogs and the horses have been carved in wood and the bodies have been built in clay. A mold is then made from the prototype and cast in bronze.

- Silvia Davis


    It's easy to see that the work of Silvia Davis is complex in many ways. When looking at one of her wooden cats, for example, I find myself trying to unravel the process of its creation. Each sculpture has a kind of geological memory of its making which is visible in the final form. The almost genetic shuffling and reshuffling of the many different shapes, colors and textures of the carved blocks of wood is all there for us to see, but is none the less very difficult to grasp in terms of its making. When looking at one of her cats a thought comes to me that may be similar to what Darwin may have thought when looking at a real cat. Which is: "How did this miracle come to be"? On a deeper level her work is a metaphor for those moments of awe, which we all feel from time to time in the face of nature.    

    Complexity also exists in the expressive qualities of her work. Her animals are independent, sentient beings. They project an inner life, intelligence and dignity. They are calm with a strong balanced center. Yet they are not without mystery. They achieve a full measure of the depth of her identification with and feelings for her subjects.     

    In her recent wall sculptures, Silvia has begun to explore a whole new world of possibilities with still life. Think of an enchanted antique store in which objects, which normally have little or nothing to do with each other, find themselves sharing the same shelf. The mind begins to spontaneously speculate on unexpected associations and connections. Why does the rabbit hold a key? Those teacups? What kind of party is this? It's a world of its own where big is small and small is big, and the every day context of ordinary reality is no longer required, where now anything goes and the imagination follows its own momentum. 

- Paul Davis

  Professor Emeritus

  University of Utah

2010 - present
2010 - present



1993 M.F.A. Sculpture University of Utah

1980 B.F.A. Sculpture University of Utah

1978 Snowbird Summer Arts Institute



2018 Silvia Davis at the Coda Gallery. Palm Desert California

2017 Paul and Silvia Davis at the Trove Gallery, Park City Utah

2014 Artists of Helper - Four Person Show, Coda Gallery, Palm Desert, California

2013 Annual Spring Salon, Springville Museum of Art, Springville, Utah

2012 Silvia Davis and Wendy Chidester -Two Person Show, Coda Gallery, Palm Desert, California

2008 “Paul and Silvia Davis” - Two Person Show, Coda Gallery, Palm Desert, California

2007 Annual Spring Salon, Springville Museum of Art, Springville, Utah

2006 Featured Artist, Group Show, Gallery “B”, Lexington, Kentucky

2003 “The Animal in Art” - A group exhibition, Utah Museum of Fine Arts

2002 “Utah Art 2000” -Norman Building, Salt Lake City, Utah (Catalog Show)

2002 “Women Without Borders” - Art Access Gallery, Salt Lake City, Utah (Catalog Show)

2002 “40 Eyes See”-Avenues Branch Public Library, Salt Lake City, Utah

2002 “Animals, Animals” - Phillips Gallery, Salt Lake City, Utah

2000 “Reinventing the West” - Kimball Art Center, Park City, Utah

2000 “The Animal in Contemporary Art” - Stremmel Gallery, Reno, Nevada

1998 Three Person Show - Torrey Gallery, Torrey, Utah

1997 Three Person Show - Coda Gallery, Park City, Utah

1996 One Person Show - Works in Wood & Bronze, Phillips Gallery, Salt Lake City, Utah.

1982 “April Salon”, Juried Exhibit - Springville Museum of Art, Springville, Utah

1993 Faculty Show - Peterson Art Center

1993 M.F.A. Graduate Thesis Show - Alvin Gittins Gallery, University of Utah

1992 Invitational, “April Salon” - Springville Museum of Art, Springville, Utah

1991 Invitational, “Artists of Salt Lake” - BYU Art Museum, Provo, Utah

1991 Invitational, Utah Sculpture and Craft Show - Union Pacific Depot, Salt Lake City, Utah

1991 “Toys by Artists” - Courtyard Gallery, Salt Lake City, Utah

1991 Group Exhibition - Dooly Gallery, Park City, Utah

1991 “75 Years of the Salt Lake Art Center” - Salt Lake City, Utah



1983 North American Sculpture Award, North American Sculpture Exhibition, Foothills Art Center, Golden, Colorado


Work Experience:

2008 Sculptor for “A Light in the Piazza” Pioneer Theatre Company, Salt Lake City, Utah

2005 Sculptor for “Peter Pan”, Pioneer Theatre Company, Salt Lake City, Utah

2004 Sculptor for Showtime Channel, “The Maldonado Miracle”

2004 Sculptor for Disney Channel, “Don’t Look Under the Bed”

2003 Present Private Workshops sculpting the Human Head in clay

1999 Pioneer Theater Company, Sculpture for “A Funny Thing Happened on the Way to the Forum”

1999 Houston Grand Opera Company, Monumental Figure sculpture for “A Little Night Music”

1997 Utah Opera Company, Nine larger than life figure sculptures for “Coronation of Popea”

1995-1996 Sculptor for Utah Shakespeare Festival, Cedar City, Utah


Commission Work:

1994 Wood Sculpture of St. Elizabeth for St. Elizabeth Catholic Church, Richfield, Utah

1994 Percent for Art, Life size Firefighter carved in mahogany for Fire Station, Salt Lake City, Utah

1992 Liturgical work St. Elizabeth Catholic Church, Richfield, Utah. Sculptures of the Stations of the Cross

1992 Collaborative Designer and Sculptor for Public Block 57 Project, Salt Lake City, Utah. Works in Bronze and Cast Iron

1992 Percent for Arts Project, Public Sculpture for Fairmont and Warm Springs Parks, Salt Lake City, Utah. Bronze

1992 Percent for Arts Project, Interior Sculpture for Arts Council Offices. Wood Sculpture

1991 Interior Wood Sculpture commissioned by FFKR Architecture for University of Utah Genetic Engineering and Research Building

1988 Collaborative Designer and Sculptor for Pierpont Gallery, Salt Lake City, Utah

1988 Sculptor for “Pierpont Walkway”, Bronze

1987 Commission by The Sundance Institute for the U.S. Film Festival. Interior Wood Mechanical Sculpture

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